The art of what’s UNDER the vocals…

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  • #101583
    LenGroat

      Excellent stuff – well re-found Iain – the older we get the more well forget we’ve seen these and have the delight of discovering them more often!

      Ohh how I wish I’d used a 6 syllable name like Mike S. ….

      #101586
      DuncanNewmarch
      Member

        Yet we’ve all met somebody who said “they all sound the same!”.
        One of the (many) joys about listening to jingles is discovering something new, even though you’ve heard it a hundred times. Perhaps we should start a list of the bits you didn’t notice first time round / favourite mix outs

        #101587
        IainJohnston

          “Perhaps we should … favourite mix outs”

          I must admit that when hearing “full” copies of traditional packages by both JAM and TM particularly,
          where there’s much more than just “the main cuts” to be heard, hearing much more of the tracks with
          less of the vocals does really show the “art” of the writing musicianship and production.

          Especially on Personal Cuts where e.g Jon may have either “on request” or to his own ears provided a mixout
          or two with instrumentation levels in-or-out that might not often get heard on a broadcast station version.
          And that applies too on e.g. various examples from TM Synchronism’s TOH cut where there’s all sorts of “no
          timpani”, “more of the strings” and other variants floating around.

          I did the following example montage away back in 2009 (!) of one particular JAM station composite, and I know
          I could present a lot more nowadays (and I might do so – but as Duncan says others should have a bash first!)
          https://soundcloud.com/allthebestjingles04a/wixy1360-underthevocals-2009mp3

          (PS – the audio on my montage is deliberately degraded by me to help “protect” the integrity of JAM’s backing tracks.

          IJ

          #101588
          ratnob
          Member

            Loved all of this. Thank you.

            #101590
            michi
            Member

              The best part is when you are in on a session or an open ended cut so you can hear the tag (end of the cut) in the clear. That is the true secret to JAM or any company’s versatility to handle various logos. Of course, no demo can ever showcase a package with as many different logos as possible and I think that is one of the reasons I like to collect and hear the same cut for different stations. The cuts that I really liked, I bought (when budget allowed).

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