JAM – Positron and quot;cut by cut and quot;

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  • #7463
    Barras

      Nice to hear Positron is now “cut by cut” on the JAM website – check it out here…

      http://www.jingles.com/jam/radioids/demodl-Positron.html

      #67292
      martinlester
      Member

        Thanks for the Heads up

        My Favourite has always been Cut 16 !

        #67308
        Barras

          Martin,

          found this resing – Positron #16 for WNOE New Orleans…

          http://jinglemad.com/e107_files/public/1243456084_3680_FT71786_jam_wnoe_new_orleans_positron_16.mp3 filename:jam_wnoe_new_orleans_positron_16.mp3

          #67309
          RjM

            Talking of Positron, I was watching the film “Son Of Rambow” at the weekend which briefly featured the Radio 1 version of cut number 8 “This week's top 40” together with a “number 16” acappella.

            The package name and cut number even featured in the end credits, with a composer credit to Jonathan M. Wolfert and Christopher Kershaw.

            #67312
            ratnob
            Member

              Well spotted, that man. This is one of my favourite packages, partly because it's one of the first I received as a demo from JAM and listened to on air in New York back in 1978. Interesting also to se what the cuts were labelled as when they were produced. Great work.

              Bob Dinan

              #67325
              IainJohnston
              Member

                I would imagine that giving every cut a distinctive and sometimes bizarre name was a “carry-over” by Jon from the tradition of the PAMS days (c.f. especially the Series 42 Ignitors, 43 Textures demos as prime examples).

                Do JAM (or indeed anyone else?!?) still do this, or is “Package XYZ, Cut #12” the norm nowadays (perhaps after 35+ years of thousands & thousands of custom-created cuts running out of names must be very likely!)

                #67354
                martinlester
                Member

                  Wixy1360 wrote:
                  I would imagine that giving every cut a distinctive and sometimes bizarre name was a “carry-over” by Jon from the tradition of the PAMS days (c.f. especially the Series 42 Ignitors, 43 Textures demos as prime examples).

                  Do JAM (or indeed anyone else?!?) still do this, or is “Package XYZ, Cut #12” the norm nowadays (perhaps after 35+ years of thousands & thousands of custom-created cuts running out of names must be very likely!)

                  I once spoke to Steve England about this when he was at Alfasound this was the case for example this cut on the demo sang about frosty day but it was named the “LA CUT”

                  http://jinglemad.com/e107_files/public/1243550760_4681_FT71786_frosty.mp3 filename:frosty.mp3

                  #67400
                  Barras

                    RjM wrote:
                    Talking of Positron, I was watching the film “Son Of Rambow” at the weekend which briefly featured the Radio 1 version of cut number 8 “This week's top 40” together with a “number 16” acappella.

                    The package name and cut number even featured in the end credits, with a composer credit to Jonathan M. Wolfert and Christopher Kershaw.

                    I think it was Graham Collins who recently posted about JAM jingles in films, referencing The Shining…

                    On the JAM website, there is a list of films that feature JAM jingles including Son Of Rambow:-

                    Mrs. Harris (HBO)
                    Zodiac
                    Son of Rambow
                    Keep Your Distance
                    Private Parts
                    Eddie
                    Losing Isaiah
                    Beverly Hills Cop III
                    Ferris Bueller's Day Off
                    The Fourth Protocol
                    Into The Night
                    O.C. and Stiggs
                    Promises In The Dark
                    The Shining

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